Tag Archives: Mozingo Music

Santa is Coming!

So, you might ask, “How do you know Santa is coming?”

I know because I’ll be photographing his visit at Mozingo Music in O’Fallon on December 4th!

Eric (of Mozingo) had asked this week if I’d be interested in doing something with their annual visit from Santa. I went by, and we talked about what they’d done in previous years, and what his ideas were for this year. When he asked what I’d charge for something like that, I answered, “Will photograph for guitars.” 🙂 (I’m not actually expecting a guitar, btw!)

He pitched to idea to the higher ups, and it looks like it’s a done deal. I’m pretty excited about it. I don’t usually photograph people, so this’ll be a lower pressure way to do some of that in a pretty controlled setting. Mozingo’s been very good to me, and they will, I’m sure get some benefit from the gig. And me, well, I’ll get to extend my experiences in photographing people, and probably walk away with some music related swag for my playing enjoyment!

I’ve Got GAS!

Now, normally, I wouldn’t brag about having gas, but in this particular instance, I’m ok with trumpeting it. (Pardon the pun.) You see, I have Gear Acquisition Syndrome (GAS).

I think I’ve known this for quite some time. Look at my Canon and Apple exploits. They’ve got GAS written all over them. The gearlust begins when Canon announces new hardware, or when Uncle Steve steps on a stage. Usually those events are the precursor to my wallet and some of my cash soon parting ways.

Lately, it’s been guitars.

I’m loving the heck out of playing my guitars, and have one in my hands at least an hour every day. Becky says that I’m enjoying it because it’s so different than what I do the rest of my day — it’s not computer-techy, and exercises the other side of my brain. She’s probably right; she usually is. All I know is that I find such relaxation when one of my guitars is hung around my neck, whether I’m tethered to the amp and practicing hard, or just strumming quietly while I’m watching TV.

As I’ve been taking my musical journey, I’ve really hung my hat on the Takamine line. For my budget, they make a mean guitar, and I haven’t found one yet that I didn’t like. They’re not as flashy (well, in their pro line anyway; the G’s and Jasmines have some flashy looks) as the Carvins with which Kevin is so enamored, but for my style — both lifestyle and playing style — they are exactly the right answer for me. I still think there’s a Carvin in my future one day, though. Something about a custom-built guitar that is entirely unique to my tastes appeals to me. Pricing it out, that’s about a $2500 instrument, and I’m just not quite ready for that… yet!

After playing so many guitars last Wednesday at the Mozingo launch party, I really cemented my opinion of the Takamine line, and couldn’t get that crazy bearclaw instrument out of my noggin… so much so that I actually dreamt about the guitar! Now that’s some weirdness, eh?

After all that, how could I resist? Today, I completed a deal to put the ETN10BC that I mentioned here on Wednesday in my rotation. This means the Yamaha would be traded away, but I don’t have a problem with that. The Yamaha’s a beautiful instrument, and plays well, but the Taks play circles around it (to my fingers, anyway). By the time I left the shop today after my guitar lesson, I had the ETN10BC on layaway, reserved for me.

The cool thing was that Mozingo had two to choose from. That meant that I had a choice between one that had just a bit of “clawing” on the top, and another that was very well marked, and quite symmetrical along the long axis of the instrument. I love symmetry, so it was an easy visual choice for me. I played ’em both, just to make sure there wasn’t anything weird about one of them. Looking at the serial numbers, they were manufactured about a month apart (mine was made in September of 2009), and as expected, there really wasn’t a difference I could sense between the two of them.

I’ve had a real tough time finding much info about this particular model, so I posted a question about it on the Takamine Forums. Mike Markure (product manager for Takamine) indicated in response to my question that this was a “SPIKE” run — a short run of instruments run as a limited edition due to availability of a particular kind of wood, in this case, bearclaw spruce. From what I’ve been able to gather around the ‘net, there were only about 120 of these made. Mozingo Matt told me that at one time, they had three of them in the store, which is pretty surprising. Out of a run of 120, Mozingo had (at one time) 1/40th of the total made? That’s pretty cool, and tells me that Mozingo’s relationship with Takamine is pretty solid. That probably means bad things for me in the future. 🙂

Watch for a “birth announcement” sometime after we get back from vacation!

Launch Party

I went to Mozingo Music’s Insider Connection launch party tonight. Mozingo has had a customer loyalty program for a while, but with a revamp of the program, they decided to throw a little send off for the IC.

Since my office is near the store in O’Fallon, I just hung around, got some dinner, and went over to the shop as they were reopening for the event. Frankly, it was kinda sparsely attended. I don’t know exactly why that was, but there was nothing nearing the “crowd” status I was expecting. However, with the smaller crowds, Chris, Matt and Eric were able to spend some real quiality time with me.

Ordinarily, I wouldn’t feel comfortable taking two hours of their collective time just kicking the tires on guitars I’m not likely to buy, but with nothing much going on at the store, they were more than happy to put guitar after guitar in my hands. I played A/E’s, hollowtop electrics, solidbody electrics… probably a dozen six stringed beauties. This also gave me the chance to play several brands — some new guitars, some old (the oldest I played was a 1967 Gibson) — but I kept coming back to the Takamines.

Among others, Mozingo had a ETN10BC bearclaw spruce limited edition (Natural line) and a TAN15C with a Cool Tube preamp in it (Supernatural line). Man, the TAN15C really sounded good, but the feel of the ETN10BC in my hands was glorious! It’s definitely a step up from my EF740SGN, and really played well. I was making music easily with it, and could feel differences between it and my ‘740. Unfortunately, it’s just not the right time to be putting another guitar in the rotation — vacation is impending!

As I talked with Matt about vacation coming in a couple of weeks, I told him that I was looking to find some kind of “campfire” guitar that could go to Branson with me for the fiddle convention, or go roadtripping with me. Ideally, it’d be something inexpensive, that would play “well enough” for me to continue practicing daily without carrying my more expensive guitars with me. Matt showed me a couple of Yamahas as food for thought, but again, the timing just wasn’t right to put another pony in the corral.

The night wound on with Eric showing me more about the Cool Tube preamp in the TAN15C — man, that’s a cool toy! — and then he realized it was time to draw a ticket for the grand prize for the night. There couldn’t have been more than a dozen-and-a-half tickets in the fishbowl. Even with those odds, I didn’t figure to have my ticket pulled, but sure ’nuff, it was! And what was the grand prize?

A new guitar!

Now, it isn’t anything extraordinary — an Ibanez “Jam Pack” with an IJV50 acoustic guitar, gig bag, and tuner. This is really designed for someone just starting out — but it is exactly what I need for taking on roadtrips and to Branson. I’m absolultely floored, and can’t hardly believe the fortuitous timing.

Watch out desert — I’m coming, packing a six-string!!!

(BTW, you can see a photo of me with my major award here!)